青(🥃)年(nián )画家岸&#青(🥃)年(nián )画家岸春(🏎)自小在内蒙古(🦉)长(zhǎng )大，当地(dì )的(de )风土人(rén )情造就了他的艺术(🏭)才华。然而在他(🚲)(tā )的内心一直(🛹)有着一块难以(🎷)(yǐ )抚平的(de )伤(shā(🤤)ng )痕，过(guò )早(zǎo )缺失的母爱让这位人前光鲜的艺(🌬)(yì )术(shù )家在情(🚵)(qíng )感里陷入迷(😏)失，常以酒精(jī(🎦)ng )为伴麻醉(zuì )自(🕸)我。当(dāng )受一位蒙古老人(rén )所托，为(wéi )他英年(niá(😦)n )早(zǎo )逝的母亲(🆔)画一幅肖像，这(🎭)(zhè )个母亲(qīn )的(🔢)(de )肖像却(què )怎么都画不出神。对于母(mǔ )爱缺少感(🤯)(gǎn )触(chù )与理解(📻)(jiě )，成了他无法(⛩)落笔的难题(tí(🕑) )。心烦意(yì )乱之(👜)时，岸春遇到了单身(shēn )妈妈如(rú )西(xī )，如西(xī )和(🦀)(hé )儿子的温情(🈚)不仅让他感受(🖇)到母爱(ài )的(de )温(🌧)暖也(yě )让他找(♈)寻到了爱情的味道(dào )。但是，母亲到底(dǐ )为什么(🌄)会从小抛(pāo )弃(🌌)自己，在日日(rì(🐎) )夜(yè )夜的叩问(🦏)中，也在如西的(de )介入下(xià )，似乎有(yǒu )了意想不到的答案，岸春(chū(🐅)n )也踏上寻(xún )母(🎥)(mǔ )之路。母亲的(😀)肖像到底能否(🛐)兑现(xiàn )给蒙古老(lǎo )人的期盼？岁月里母爱的(🏇)(de )真相会(huì )怎(zě(👋)n )样揭开(kāi )？原(👯)来，岸春的母亲(🌖)一直以一个特(⤵)(tè )殊(shū )的身份(fèn )出现在他的生活里！面对(duì )时(👢)间、面(miàn )对生(🌫)命的(de )脆弱多变(🐶)，只想(xiǎng )向岁月(🌽)祈(qí )求，时(shí )光(guāng )你慢些走，让儿子还能记(jì )下母亲(qīn )的(de )容颜(🐻)......
斯(sī )坦利·图(😢)齐饰演一位已(🔟)婚(hūn )大学教授(👃)(shòu )，爱迪生(shēng )·蒂姆林饰演其门下写作(zuò )天赋(🎛)非常(cháng )厉害的(👲)女学生，在一对(🏄)一(yī )的写作(zuò(🗺) )教(jiāo )学中两(liǎ(🧥)ng )人(rén )逐渐对彼此心生爱意，一段不可(kě )避(bì )免(🧒)的“师生恋”就此(📔)展开。电影(yǐng )由(🏝)理查德(dé )·莱(✂)文执(zhí )导，詹妮安·加(jiā )罗法洛、里奇·科(kē )斯特、科尔·(💡)比米尼菲等(dě(🍅)ng )人参演(yǎn )。
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
李天(🚯)洋(yáng )和郑月两(🐒)位年轻“小炮儿(ér )”在执行(háng )神(shén )秘任务(wù )时失(🎂)败，惹怒老大闫(🙃)老板(bǎn )，开始了(📛)(le )亡命天涯的故(🦈)事。在找寻(xún )货(🛥)物的(de )过(guò )程中，郑(zhèng )月偶遇发小并帮发小找回(➡)了失踪(zōng )多(duō(🛏) )时的男(nán )朋友(🧗)。同时，郑月发现(🌀)了(le )货物的秘(mì )密并明白(bái )如果不逃离这个(gè )地方就会(huì )丧(🌙)失性(xìng )命(mìng )。屋(🍾)漏偏逢连夜雨(🥒)，在郑(zhèng )月准备(🕔)(bèi )离(lí )开的时(shí )候，兄弟和发小的被闫老(lǎo )板(🐉)抓，郑(zhèng )月(yuè )不(🎢)得不(bú )与闫老(✌)板正面冲突，随(🥊)之(zhī )而来的却(🦒)(què )是越来越多的麻烦。
英国(guó )知名舞(wǔ )台(tái )剧(🏐)《鬼(guǐ )故(gù )事》将(🆔)被搬上大银幕(⛅)，新片主演(yǎn )马(🚱)(mǎ )丁·弗(fú )瑞曼、乔治·麦凯、安迪(dí )·尼曼等(děng )。尼曼继(🥔)(jì )续出演他在(🈲)剧中(zhōng )的角色(🐭)古(gǔ )德曼教(jiā(🐱)o )授(shòu )。古德曼是一位心理治疗(liáo )师，从(cóng )不(bú )相(🎰)信鬼(guǐ )怪之说(🗳)；然而三个病(👌)人的(de )“见鬼实(shí(🎢) )录(lù )”让他(tā )对(⛷)原有信念产生了怀疑。作为最(zuì )受(shòu )欢迎的惊(📆)悚戏剧之一，该(⏬)(gāi )剧曾在(zài )全(🏅)(quán )球多地(dì )进(🗓)(jìn )行巡演。
《莫霍克人》立意为历(lì )史(shǐ )剧，发(fā )生于1812年第二次独(🔻)立战争接(jiē )近(🛫)尾声之(zhī )时，但(🐐)随(suí )着美国原(🌊)罪在眼(yǎn )前展开，由此产(chǎn )生(shēng )的神秘色彩和(🙂)恐怖效应让(rà(👶)ng )这部影(yǐng )片(pià(⬛)n )真正成(chéng )了令(📊)人毛骨悚然之(💍)作。
明(míng )朝嘉靖年(nián )间(jiān )，倭患(huàn )不止。朝廷惊闻(💀)有民间组(zǔ )织(💱)和朝(cháo )廷(tíng )官(📪)员里通倭寇，渔(🛐)利国家(jiā )，于是(shì )责(zé )令六扇(shàn )门(mén )负责侦查并找出官员通(👑)倭证据。六(liù )扇(🎨)门小(xiǎo )捕快陆(🏚)小虾临危受命(🛩)，同(tóng )时被六扇(shàn )门总捕头(tóu )于初心派人追杀(👀)(shā )，危难之(zhī )际(🏹)被“山(shān )河兵团(🐥)”的七爷所救并(🐖)带(dài )回兵团(tuá(🤑)n )之(zhī )中。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
宇(yǔ )宙犯罪者ベムルとその一(yī )味を(📏)追って地球に(🐀)やってきた宇(😩)宙の警察と呼(🥕)ばれるスパンデクサーの一人スパンデクサーＡは、ベム(💶)ルたちに襲わ(🔦)れていた地(dì(🤜) )球(qiú )の捜査(chá(🐡) )官・目白を助けるが、そのためにベムルた(🐩)ちを逃がして(👦)しまう。目(mù )白(🍴)の協(xié )力(lì )の(🌔)もと、地球に(⏹)残ってベムルを倒(dǎo )そうとするスパンデク(📫)サーＡの前に(♐)、宇(yǔ )宙の犯(🕯)罪(zuì )者たちが(📬)スパンデクサーたちを倒(dǎo )すために作った人工生命(mìng )体(🤷)ゾーラが現れ(💇)る。スパンデク(🐸)サーの弱点の(🥢)物質(zhì )で作られたゾーラに敗北したスパン(🏽)デクサーＡは(🐨)、ゾーラに拉(🎶)致され壮絶な(👗)拷問を受(shòu )け(🛠)る。そして残虐な性格のゾーラは、目(mù )白を(👸)捕らえて、家(🛥)族に危(wēi )害を(⬇)加えられたく(🐗)なければスパンデクサーＡをその手で殺すように命令す(💑)るのだった。详情
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