不(👷)管这导演(yǎn )嗑了(le )什么(me )很(🐅)纯的，全部(🛄)都(💣)要给(gě(🐓)i )你来(lái )一点！在澳洲这座(➡)曾(🗜)(céng )经被称(🕶)作「无(wú(📀) )主之(zhī )地」（Terra Nullius）的大陆(🌂)(lù(🐏) )，历(lì )史以(🔩)(yǐ )前所未见的观点重新(👑)(xīn )诠释：(🖊)当(💗)《疯(fēng )狂麦(mài )斯》末日场景成(chéng )为难(🐭)(nán )民拘(jū(👰) )留地，食人(👍)羊成为反(fǎn )殖民叛乱份(♋)子(❌)(zǐ )，《沙漠妖(🤝)姬》与电(diàn )视剧(jù )《请(qǐng )喜(🐠)欢我》有了(😋)跨(📤)时空(kōng )的(🈁)酷(kù )儿对话……本片以(⏳)近似DJ取样(🥅)混(🐥)(hún )音之(🙂)(zhī )拼贴(tiē )手法，打开了虚(🔘)构(👻)与(yǔ )史实(✳)(shí )间的神(🎉)秘黑洞，大量(liàng )援引电影(🥅)名(⬅)场(chǎng )景与(👩)(yǔ )历史典故，穿越(yuè )时空(👾)(kōng )与各(gè(🕢) )种(⛏)语境，重写、改写(xiě )、乱写，全面(mià(🍘)n )毁坏(huài )观(🤺)众的三观(⏫)！这(zhè )是一(yī )部政(zhèng )治复(🕡)仇(😎)预言，杂揉(🤵)讽(fěng )刺喜剧、生态(tài )恐(🉑)怖(bù )与公(🚉)路(🏋)电影类型(🚽)(xíng )，写(xiě )下澳(ào )洲国族神(⭕)话从未被(♌)纪(🍀)(jì )录的(👮)(de )史诗篇章。
一对情侣外出(🕑)度(🆘)假(jiǎ )，入(rù(✡) )住豪(háo )宅(🥎)，然而，当他们半(bàn )夜醒(xǐ(✈)ng )来(🤽)，却发现自(😕)己躺在(zài )一个处处充斥(📚)(chì )着恐(kǒ(🛴)ng )怖(🐧)氛围的(🍋)荒弃诡(guǐ )宅中(zhōng )……他们(🔒)意欲逃离(🙇)，然而(ér )却(🎼)始终逃不出(chū )去，努力奔(🚒)逃(💅)，但逃(táo )往(🔨)的(de )地点(diǎn )却还是这所诡(🏳)异的荒(huā(😥)ng )宅(🏳)……更恐(🔋)怖(bù )的是(shì )，当他们再度(💏)回(huí )到这(🥅)(zhè(🛩) )座诡(guǐ(✋) )宅，却发现，时间跟(gēn )他们(😚)(men )走(🍚)出去的时(⛺)间，一样…(🐻)…
《假(jiǎ )面骑(qí )士平(píng )成(🔹)世(😻)代FOREVER》是一部(💯)穿越(yuè )时空(kōng )的战斗，在(🍛)常磐庄吾(🗨)(wú(😟) )与桐生(🕠)战兔的(de )世界(jiè )里发生了异(🤟)变，就像(xià(🌅)ng )被替(tì )换(🎱)成别人一般、同伴(bàn )们(🎪)的(🚣)记忆一个(😡)(gè )接一(yī )个地失去了。接(🤞)(jiē )着在(zà(💤)i )他(🔠)们(men )面前，Super Time Jaker·(🍭)Tid现身了，在(zài )守护少年幸(🕣)吾(wú )的战(🔽)(zhà(🕰)n )斗中，庄(💥)吾遇见(jiàn )了一(yī )位喜(xǐ(🤲) )欢(🚺)假面骑士(🕔)的青年·(🚫)充（Ataru）。
Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.
在贝鲁特一个街(🕌)角(🍚)的咖啡(fē(🔭)i )店二(èr )楼，有一面大大的(👎)转角窗(chuā(📓)ng )和(🌿)一(yī )台(🌵)电视机，一位78岁的(de )退伍将军(💮)和一(yī )位(🎹)81岁(suì )的退(🔅)伍军医每天(tiān )早上(shàng )都(➖)会(🎩)(huì )在这里(🥗)碰面，看着街(jiē )角车来人(🌝)往，做着(zhe )填(🐲)字(🕹)游戏，以此(🗓)(cǐ )对抗(kàng )阿茨(cí )海默综(💲)合症。伴随(🎦)两(🚜)(liǎng )位老(😶)人的玩笑(xiào )和字谜，咖啡(🦍)馆(🏣)的顾(gù )客(🕙)纷(fēn )纷登(🏃)(dēng )场。本片用发生在一(yī(⛏) )个(😹)社(shè )会小(🈷)角落16天之内的一系列事(💩)件(jiàn )，四(sì(🎧) )两(🈹)拨(bō )千(🎧)斤地讨论了人生、政治(zhì(🈁) )、历史等(🛃)话题；通(📫)过(guò )单场景多幕剧(jù )的(🤸)结(🐱)(jié )构让人(🎼)感受到老(lǎo )人们(men )的孤(gū(🏸) )独，以及疾(🦖)病(💚)带来的(de )苦(🌸)涩，同时映(yìng )射出(chū )黎巴(👽)嫩暴力事(🗼)件(😠)(jiàn )肆虐(🛺)(nuè )的现(xiàn )状。以小见大，令(🍤)人(🎀)(rén )回味。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’(🧓)s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
银行(háng )经(💯)理雅各布(弗兰克·格里(🖤)(lǐ(🍼) )罗饰(shì ))的(🚤)同事被暴徒夺去生(shēng )命(🤞)，而他将和(㊗)警(🍮)察(布鲁(📂)斯·威利斯(sī )饰)联(lián )手制(🛬)(zhì )服凶手(🍄)。
技术宅男(🛥)马(mǎ )小明(míng )暗恋小模特(🛺)沙(🅰)莎，一(yī )次(📬)意外他与流(liú )浪狗(gǒu )豆(💥)丁互换了(🕉)身(🤫)体(tǐ )，从(có(🎲)ng )此进(jìn )入了沙莎的生活(🛒)，在(zài )人与(🏹)狗(❓)互换的(🔒)(de )过程(chéng )中，彼此增进了(le )了(🦋)解(📡)(jiě )，建(jiàn )立(🐗)了信任与依赖，最(zuì )终捕获了女孩(🎎)(há(📶)i )的芳心。
