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When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

Suchmos于(yú )2016年(🗿)(nián )10月(yuè(🐜) )28日在惠比寿(😥)LIQUIDROOM的演出。收录于(🏖)二专THE KIDS的(🍒)DVD中。

作家欧(ō(🈴)u )阳坤新婚，新(xī(🖍)n )婚(hūn )妻(🌋)(qī )子(zǐ )沈(shě(👊)n )静轩却与欧阳(👷)坤的同(🏿)学萧炎，产生(🌙)情愫，使得(dé )婚(😹)姻破裂(🍄)。

当医(yī )生(shēng )来(lái )敲(🎖)(qiāo )门(mé(👲)n )，健康的(🥤)人都成病人，不管小(💚)病还是(🎆)重症，能(néng )够赚钱都是好病(🥩)(bìng )人(ré(🏐)n )。

80年(nián )代(dài )末(🅰)期，生活在宁夏(🔶)矿区的(💆)小两口陈志(♋)平（张多(duō )饰(🐉)）和周(🚓)淑萍(píng )（卢(🏤)(lú )珊(shān )饰(shì )）(📛)过着平(🛄)凡又安宁的(🌯)生活。但嗜赌如(🅰)命的大(🕰)伯哥(gē )（杜(✈)旭东饰）被(bè(🛌)i )人(rén )追(🛷)(zhuī )债(zhài )追到(🍑)家里，紧接着父(🍃)亲（郭(💕)九龙饰）被气死、(🗓)母亲（(👑)刘爱玲(🌔)饰(shì )）被(bèi )逼(bī )疯(🗑)(fēng )、就(👜)连陈志平也在矿上受伤，加(🎻)上早年(💃)就因车(chē )祸(🎟)下身瘫痪的弟(🉐)(dì )弟(dì(🃏) )陈(chén )志(zhì )军(🤛)(jun1 )，一家人全体陷(💯)入困境(📳)，只有周淑萍(🛁)一个女人(rén )担(🧦)负起了(👉)拯救(jiù )家(jiā(🕐) )庭(tíng )的(de )重(chóng )任(📚)(rèn )...

奧馬(🌞)爾在倫敦過(🔇)着富裕生活，還(🕡)有一年(📴)就大學(xué )畢(🕊)業，一 切看(kàn )似(🍱)(sì )安(ā(🍩)n )好(hǎo )。然後忽然一天(👂)感召來(❓)了，他無(🦖)法再忍受波斯尼(ní(🐤) )亞大批(🔗)穆斯林(🐏)被(bèi )虐(nuè )殺(shā )的(de )報(🐚)(bào )道和(📟)影像，要做點什麼改變世界(😷)。真人真(🤭)事改(gǎi )編，呈(🗾)現恐怖(bù )份(fè(📏)n )子(zǐ )的(😃)(de )成(chéng )魔(mó )歷(🕍)程；不從英美(🏜)主流角(🏸)度去看，也不(🍊)全循伊斯(sī )蘭(🐯)觀點，究(🚿)竟(jìng )可(kě )以(🍂)(yǐ )折(shé )射(shè )出(🏽)一幅怎(🖐)樣的圖像？(📹)觀眾跟隨攝影(🦁)機見證(👁)奧馬爾在巴基斯坦山(shān )區(😑)(qū )受(shò(😣)u )訓(xùn )，在新德里綁架(🙇)視為沉(🎗)默同謀(🍫)的歐美遊客，策劃(huà(👩) )謀殺《華(⛅)爾街日(rì )報(bào )》記(jì )者(zhě )，以(🌙)致最後(🌴)就擒。的確，人(🛡)在做天在看，問(🌸)題(tí )是(📁)哪一個天在(👲)(zài )看(kàn )。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.