离婚保险
李栋旭,李主傧,李光洙,李多熙
日韩剧
2025/韩国
更新至第07集
老公啊,你能去死吗
安达祐实,相武纱季,矶山沙耶香,竹财辉之助,高桥光臣,塚本高史,久保田悠来,清水尚弥,游井亮子,松浦凉,柳忧怜,吉冈睦雄,新山千春
日韩剧
2025/日本
更新至03集
绝密较量
张鲁一,高圆圆,曹炳琨,王晓晨,成泰燊,石兆琪,林永健,于济玮,李宗璠
大陆剧
2025/中国大陆
更新至第04集
虚拟情人粤语
王敏奕,朱敏瀚,黄子恒,谭嘉仪,袁文杰,林景程,邓智坚,杨卓娜,黄子雄,周志康,邓伊婷,缪家庆,邓美欣,胡蓓蔚,廖家爵,冯显艺
港台剧
2025/中国香港
更新至第01集
虚拟情人国语
王敏奕,朱敏瀚,黄子恒,谭嘉仪,袁文杰,林景程,邓智坚,杨卓娜,黄子雄,周志康,邓伊婷,缪家庆,邓美欣,胡蓓蔚,廖家爵,冯显艺
港台剧
2025/中国香港
更新至第01集
榜上佳婿
王子奇,卢昱晓,王弘毅,孔雪儿,鹤秋,杨仕泽,谭凯,戴娇倩,汪汐潮
大陆剧
2025/大陆
更新至03集
牧江村郊(🍈)野山藏有一(⛹)(yī )怪(guài ),赤(😃)面獠牙,名曰垃(lā(🚒) )圾(jī )人,他身世(🛸)神秘,以(🔆)(yǐ )垃圾为(💳)食,日遇村(😛)(cūn )妇马(mǎ )秀(🔫)娟,将其掳(👿)掠。马(mǎ )秀娟通过(🛵)与垃圾人(💥)(rén )的(de )交(jiāo )往(🍘),发现他虽(🐳)丑陋(lòu )骇(⛰)(hài )人,却心地(💩)单纯。但(dà(👶)n )天(tiān )不遂人愿,“单(🏾)纯(chún )”的垃(🏣)圾人却将(💣)马(♒)秀(xiù )娟(juā(🍎)n )视(shì )为配(💭)偶,囚于废弃(qì )厂(chǎng )房(🔀)。矿山老板(🎃)徐东(dō(🦓)ng )南(nán )徐西(🕥)北两兄弟(⛽)欲借炸(zhà )山(💮)除垃圾人(📨)之名在野(yě )山(shā(🌸)n )非法拓矿,全然(👶)不顾(gù(🆕) )马(mǎ )秀娟(🚦)安危。而垃(👋)圾(jī )人(rén )通(🌧)过马秀娟(🤥)逐渐了(le )解人(rén )类(🤩)的尊重与(🐃)爱,遂(suí )将(jiā(🦒)ng )其放归牧(🎨)江村。马(mǎ(♿) )秀(xiù )娟(juān )得(🍽)知徐东南(💜)阴谋后(hòu )为(wéi )救(🚱)垃圾人与(❓)之抗争,最(🔉)(zuì(🖤) )终被绑于(🐎)山上,垃(lā(☝) )圾(jī )人为救马秀娟与(🐡)徐(xú )东(dō(🎐)ng )南(nán )死(🏞)命相搏,后(🚱)被徐(xú )东(👇)南炸死。环保(🤡)组织(zhī )声(📑)(shēng )明垃圾人出现(🕎)乃牧江(jiāng )村的(🕉)环保意(🗨)识薄弱之(🥐)(zhī )恶(è )果(📄),垃圾人本无(🤱)罪,罪(zuì )在(🤴)人心对环境的态(🚤)(tài )度(dù ),并(😮)呼吁民众善(📈)待(dài )环境(🍬)(jìng )。
Anand "Ram Karthik", an aspiring young Radio Jackie. One day, one boy called the radio center and told that I am a love failure and now I am going to do suicide. After listing his concern, Anand narrates a love story to keep him away from suicide. He told that story episode wise and his story becomes very popular. Incidentally, this story becomes true in Anand's life and bring his love "Pranali Ghoghare" closer to him. For finding out his love Anand faces many problems and struggles much. How he found out his love and struggles to make everyone happy, Forms rest of the Story.
在贝鲁(⛳)特一个街(jiē(🗾) )角(jiǎo )的咖(📯)啡店二楼,有一(yī(🙈) )面(miàn )大大(🚸)的转角窗(🎶)和一(yī )台(tá(🥫)i )电视机,一(🏿)位78岁的退(tuì )伍(wǔ )将军(⏮)和一位81岁(🎖)的退(tuì(🚼) )伍(wǔ )军医(🌼)每天早上(✔)都会(huì )在(zà(🎸)i )这(zhè )里碰(🤑)面,看着街角(jiǎo )车(🌒)来人往,做着填(🍢)字(zì )游(🎛)(yóu )戏,以此(🖼)对抗阿茨(📑)海(hǎi )默综合(🎵)症。伴随两(🚘)位(wèi )老(lǎo )人的玩(🗼)笑和字谜(♌),咖啡(fēi )馆的(🥍)顾客纷纷(🌆)登场(chǎng )。本(⏹)片用发生在一个(gè )社(🦌)会(huì )小角落16天之(🛶)内的一(yī(🔬) )系(xì )列事(👕)件,四两拨千(🤗)斤(jīn )地(dì(👝) )讨论了人生、政治(zhì )、历史等(🆓)话题;(🔇)通过单(dā(🐳)n )场(chǎng )景多(🤒)幕剧的结构(😇)让(ràng )人(ré(🤴)n )感受到老人们的(🏟)孤(gū )独(dú ),以及疾病带(🥩)来的苦(kǔ(♈) )涩,同时映(🥣)射出黎巴(bā(🚛) )嫩(nèn )暴力(🚱)事件肆虐的现状(〰)(zhuàng )。以小见(🧣)大,令人回(huí(🥅) )味(wèi )。
麦昆(🌼)本想给女(🆖)友(yǒu )来一(yī )场创意十(🎬)足的求婚(hūn ),但在(🍬)毫无预兆(🔒)的情(qíng )况(🎪)下(xià )结束了(🦐)一场轰轰(🛄)烈(liè )烈(liè )的爱情,结局悲惨而(é(🍴)r )可(kě )笑(🍎)……在经(💜)历过失(shī(🛩) )恋(liàn )博物馆(🕒)中的种种(🌍)“失(shī )败(bài )”后,麦昆(⛵)放下了(le ),觉得那段失败(🗑)的爱(ài )情(💨)(qíng )反而激(🐧)励了自己,让(Ⓜ)(ràng )自己学(🕠)会了如何去爱(à(🚸)i )一(yī )个人(🔫),用什么样的(🥏)方(fāng )式让(🐢)双方相处(🥏),也明(míng )白(bái )了自己该(🌌)选择去爱(ài )一个(🐃)(gè )什么样(📕)的女孩。
“假(🎀)(jiǎ )如音乐是(🕖)爱情的食(🌥)(shí )粮,请继续演奏吧!”以(yǐ )配乐著(🍺)称并为(🎆)莎士比(bǐ(🕘) )亚(yà )爱情(🍟)喜剧《爱的徒(📻)(tú )劳(láo )》及(📔)《爱的胜利》(即(jí(👇) )《无事生非》)注(zhù )入(rù(✏) )无限活力(🕞)的超人气(🦗)(qì )导(dǎo )演克(➿)里斯托弗(🛩)•拉斯(sī )康贝((🚍)Christopher Luscombe)携创作(📭)团队(duì )重(chó(🚽)ng )返埃文河(👆)畔斯特拉(🎤)福(fú )德的皇家莎士比(🌐)亚剧(jù )团(🥦)(tuán ),执导(💶)莎翁另一(🍔)部(bù )滑稽(📊)(jī )又心酸的(🐲)单相思爱(💷)(ài )情(qíng )故事:
本片撷取了(le )发生(🏸)(shēng )在中(👞)国北方小(🤚)城镇(zhèn )中(🦃)(zhōng )一个中国(🏔)青年出狱(😙)后(hòu )的(de )一段人生(🗑)经历,讲(jiǎng )述(shù )了一个(👗)小人物在(🛢)商品(pǐn )经(🛩)(jīng )济的大潮(🐕)中与时代(🥔)(dài )的(de )隔离,以及人(🚼)们对(duì )金(👢)(jīn )钱的崇尚(🚘)和理想、(👥)道(dào )德的(🛣)流失,对社会与(yǔ )人(ré(🏜)n )性作出了(☝)深度拷(🌯)问。尤其是(🙊)本片以中(👦)国农(nóng )历(lì(🎄) )冬季的四(🅰)个节气作(zuò )为篇(piān )章,具有强烈(🕓)的中(zhō(🛷)ng )国(guó )文化(⏯)符号视觉(🛥)。
藝(yì )術家(jiā(⛅) )自古皆寂(🛣)寞或許是(shì )境(jì(🛡)ng )界,人到中年萬事憂(yō(📇)u )則(zé )是現(🎱)實。在畫室(👲)洋(yáng )洋(yáng )灑(🈚)灑呈現自(🤟)由雄風的(de )裸(luǒ )男(🥂)畫作令他(✍)一舉成(chéng )名(🏆)(míng ),在家面(🛵)對前妻懷(🍈)(huái )着(zhe )新歡骨肉、與女(🌩)兒相(xiàng )處(❓)尷尬卻(🌋)令他一籌(🏊)莫(mò )展(zhǎ(🚫)n )。貝蒙特的寂(🔋)寞,在(zài )於(🤔)如何在著名畫家與(yǔ )單(dān )親爸(🐘)爸雙重(🏪)身份、藝(🛃)術(shù )創作(🎻)與家庭生活(🈚)之(zhī )間(jiā(🤡)n )取得平衡。維羅((🌃)《電(diàn )影就在街角》,35 屆(jiè(👢) ))找來合(🚊)作多年的(📃)編劇(jù )兼(jiā(📯)n )美指好友(🚲)對號入座(zuò ),還原(👤)藝術家有(🏥)血有肉(ròu )的(💑)(de )矛盾本性(📽),在出世(shì(🚹) )與(yǔ )入世的兩難外,毋(🉐)(wú )忘(wàng )點(📜)點超現(🏯)實的幽默(🔘)。
On the stage, where the premiere of the musical was supposed to take place, the drama broke out ... People went to the feast - cheerful, bright, but turned out to be face to face with death. They, who became hostages, who managed to pass a terrible ordeal, while preserving human dignity and courage - are ordinary people who have become heroes ...