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子(zǐ )ど(🏮)もに夢を与(🎁)え、想像力(🔦)をはぐくむコンテン(🤙)ツ作りをめ(📠)ざして、キ(🌴)ャ(🧙)ラクターアニメー(🎯)ションを中(🕜)心にデジタ(🍾)ル(🐆)絵(guì )本(běn )やARといっ(🕸)たアプリな(🦏)どを通して(🌉)、エンタ(🥣)メから知育(🏨)まで幅(fú )広(🤰)(guǎng )く活動しているス(💉)タジオなな(♌)ほしが、ジ(😨)ャ(🐾)ンルやメディアを(😨)問わず、も(👓)のづくりを(♓)手掛ける(😦)ウサギ王と(🚑)制作。どこの(🔸)家にもある(🐰)縁起物た(🍥)ちと、彼ら(📏)が動くさま(🛬)を(🐱)見た子どもたちと(😰)の交流を、(🐅)躍動(dòng )感(gǎ(🥡)n )い(🕓)っぱいに描いたド(🐯)タバタコメ(💉)ディ！

Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘(🎦)Lamb Feed’ and ‘Homewrecked’ –(🛐) a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.

Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.

两(liǎng )个在(🎅)丹麦穷途末(🌎)路(lù )的(de )小偷古飞宇和(📟)贝永(yǒng )新，为(🚔)了还清黑帮(🤘)老(🐌)(lǎo )大李的赌债，本想(🚽)(xiǎng )盗(dào )走最(🍥)后一票却卷(🔹)入(rù )了(le )一(😹)场古堡遗产(🔗)争夺(duó )战(zhà(🕠)n )中，遇到了本(🎹)以(yǐ )为(wé(🍺)i )是古堡合法(✒)继承人的(de )莫(💤)巧(🐴)雨。在和莫巧(qiǎo )雨(yǔ(🤑) )一起躲避李(🎌)的过程(chéng )中(🧘)(zhō(🛤)ng )发现了古堡背后的(👪)(de )秘(mì )密和莫(🤐)巧雨真实(shí(🛹) )的(de )身份。

After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.

藤(👬)冈靛在片(pià(🎅)n )中(zhōng )饰演引(🧔)发奇迹的正(zhèng )体(tǐ )不(🔠)明的主人公(😵)拉乌(wū )，尽管(㊙)他(😳)的国籍与语(yǔ )言不(🌰)明，但是温暖(🖍)的(de )笑容却有(🧀)种不可思(sī )议(yì )的力(🚙)量，影片通过(🎍)(guò )超(chāo )越国(🍸)籍与宗教(😾)的年(nián )轻(qī(🤔)ng )人们的友情(⛄)，自(🏟)然(rán )地反应人们的(⛽)生活。影片全(🏄)篇外景在印(😵)(yì(🏜)n )度(dù )尼西亚苏门答(🎐)腊岛(dǎo )拍(pā(👩)i )摄，用时一个(💹)月。

The story of life of a woman Mehri who unintentionally enters into an unknown problem and is searching for a solution for that.

The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.