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Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

不管这(🦒)(zhè )导演(yǎn )嗑了(🈷)什么(me )很纯(chú(🚣)n )的(🌽)，全部(bù )都要(yào )给你来(🛬)一(yī )点！在澳(🌟)洲(🍓)这(zhè )座曾(céng )经被称作(🛠)(zuò )「无主之地(💎)」（Terra Nullius）的大(🦓)陆(♌)，历史以(yǐ )前所未见的(🎨)观(guān )点重新(⛪)诠(🛎)释：当《疯狂麦斯(sī )》末(🌇)日场景成(chéng )为(👠)难民拘留地(🎬)(dì(😤) )，食人羊成为(wéi )反殖民(💸)叛乱份(fèn )子(🚈)，《沙(🌍)漠妖(yāo )姬》与电视剧(jù(🈺) )《请喜欢我》有了(🔉)跨时空的(de )酷(🎂)儿(🐮)对话…(😨)…本片(piàn )以近(🤭)似DJ取(qǔ )样混(🐛)(hú(📍)n )音之拼贴(tiē )手法(fǎ )，打(🥔)开了(le )虚构(gò(🚈)u )与(🥇)史实间(jiān )的神(shén )秘黑(🎅)洞，大量(liàng )援引(🗝)电影(yǐng )名场(🐦)景(🍎)与历史典故，穿越时空(🖍)与各(gè )种语(🔨)境(🐓)，重写(xiě )、改写、乱写(🤐)(xiě )，全面毁坏观(🛰)(guān )众的三观(〰)！这(🐻)(zhè )是一部政治复(fù )仇(🌩)预言，杂揉(ró(🎦)u )讽(🐿)刺喜剧、生(shēng )态恐怖(🏏)与公路(lù )电影(🥧)类型，写(xiě )下(🦕)澳(❇)洲国族(🗓)神(shén )话从未被(🦔)纪录(lù )的史(🦊)诗(🚜)篇章。

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

《水(shuǐ )族魂1944》电(diàn )影(⛱)取(qǔ )材于上(🤡)世(😃)(shì )纪40年(nián )代抗日战(zhà(🛋)n )争日(rì )本投降(🔊)前(qián )夕，发生(🧠)在(🐦)贵(guì )州三都水族自(zì(⬇) )治县九阡镇(💌)的(🈶)真实历(lì )史事件。编剧(😲)(jù )多次实地采(🐞)风(fēng )走访，在(🔲)走(❕)访(fǎng )了当年亲历者(zhě(🏕) )和掌握大量(📩)的(🥔)(de )史实资料后，通过写实(🎾)的手(shǒu )法再现(🐠)了当年(nián )水(🎮)族(🥤)人民英(💭)勇(yǒng )抗击日本(👮)侵略(luè )者的(🌥)故(😇)事，体(tǐ )现了中国人民(😧)(mín )抗击侵略(♎)者(🥊)的(de )决心(xīn )，谱写了(le )一曲(🔌)(qǔ )贵州少数(shù(🔳) )民族(zú )人民(👲)抗(😪)击(jī )日本(běn )侵略者的(🥚)(de )英雄(xióng )赞歌(👬)！《水(🔭)族魂1944》这部电影在抗日(👕)战争爆发(fā )80余(🐞)年后的今天(💠)(tiā(🚍)n )推出，其真正(zhèng )意义于(🎻)中华民(mín )族(🛐)抗(🌴)战有益，更是贵州抗战(💸)(zhàn )历史上不可(🏉)磨(mó )灭，是光(🏘)辉(🕖)灿(càn )烂(🎟)，浓墨重彩(cǎi )的(🆚)一笔，对贵(guì(🍊) )州(🎸)少数民族抗(kàng )战的肯(🛹)定和宣(xuān )扬有(🎣)着重要的(de )作用。