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阿黛尔(🌳)和她(🗂)(tā )的母亲孔(🐙)查生(🎚)活在(zài )城郊的一(🥢)个贫民窟(kū )里。孔(🤶)查的丈夫是(shì )个(🎶)可恶的暴徒，他(tā(📲) )使母女俩长期生(🔣)活(huó )在暴力和虐(nuè )待(🧀)之中(zhōng )。对此(🐳)忍无(🏛)(wú )可忍的(de )孔(🛎)查决(😁)定不(bú )顾一(🚑)切(qiē(🅾) )风险，偷走(zǒu )一(yī(🌴) )大笔(bǐ )钱，并带着(👑)(zhe )女(nǚ )儿阿黛尔逃(🏩)离。不(bú )幸的是，她(🤹)们在(zài )出(chū )逃中(🎣)被发(🆗)现了。在追捕(🕗)过程(🐕)中(zhōng )，孔(kǒng )查(⌚)却意(🖖)外地驾(jià )车(🛫)撞死(🤝)了丈夫……这场(🛴)逃离注定是一(yī(🧢) )次冒险，而母女俩(🏙)(liǎng )竭尽全力，才能(🔏)挣(zhèng )脱一直禁锢(🤸)她们的(de )牢笼。在这段跨(🏐)越(yuè )生命的(☔)寓言(🛡)(yán )中，力(lì )量(🉐)、困(🎽)难、爱的希(✉)(xī )望(🐭)、机会和(hé )死亡(🎅)如(rú )影随形。

这(zhè(🐎) )部(bù )电影(yǐng )的故(🎄)事背景(jǐng )让(ràng )人(🚶)不禁回忆起《逃(tá(🏈)o )出绝(✈)命镇》。一(yī )位(🏸)(wèi )黑(🔅)人男性（杰(💧)森(sē(🏪)n )·米切尔饰(💤)）在(💳)周(zhōu )末的时候，因(😶)(yīn )为觉得周围只(🍵)有白(bái )人朋友所(💛)以觉得十(shí )分紧(❇)张。当然，这(zhè )部作(📚)品与乔丹·皮(pí )尔去(🕉)年那部符合(🕶)大(dà(💑) )众口味的《逃(😙)出绝(🍾)(jué )命镇》不同(👆)(tóng )。智(🈲)利(lì )导演塞巴斯(🤚)(sī )蒂安·席尔瓦(🙅)是一(yī )个古怪(guà(🚱)i )的人，他的(de )电(diàn )影(💱)如(rú )《女仆》、《水晶(🐯)仙女(🤽)》、《肮(āng )脏的婴儿(🌃)》都倾(qīng )向(xià(☕)ng )于剑(🎯)走偏锋，故(gù(🔩) )事开(🍆)始会有点(diǎn )怪异(🎴)(yì )，而之后则会(huì(🗣) )变得更加怪异。这(✊)(zhè )种风格对于《周(🚹)末(mò )生日游》意味(🚑)着什(shí )么呢？还不知(👟)道。但我们非(🤔)常期(😲)待这(zhè )种不(🕦)确定(♈)性(xìng )，况且(qiě(🕑) )演员(⚓)阵容中(zhōng )还有克(🐫)(kè )里斯托弗·阿(🐤)伯特(tè )、迦勒兰(🚚)德(dé )里·琼(qióng )斯(🛺),迈克尔·塞(sāi )拉(🙂)和(hé(🤯) )安·道德。

在(zài )贝(🧕)鲁特一个街(📔)角(jiǎ(🍂)o )的(de )咖啡店二(🌮)楼，有(🗂)(yǒu )一(yī )面大大的(🥌)转角窗(chuāng )和一台(😈)电视机(jī )，一(yī )位(🐘)78岁的退伍将(jiāng )军(🧘)和一位81岁的退伍(😙)(wǔ )军医每天早上都会(👯)(huì )在这里碰(🥏)面，看(👄)着(zhe )街角车来(😐)人往(♐)，做(zuò )着填字(🔜)游戏(🐁)，以此(cǐ )对抗阿茨(🖇)海(hǎi )默综合(hé )症(😏)。伴随两(liǎng )位老人(💁)(rén )的玩笑和字(zì(💅) )谜，咖(kā )啡馆的顾(🍺)客(kè(🏥) )纷纷登(dēng )场。本片(🥏)用(yòng )发(fā )生(🚳)在(zà(🎶)i )一个社会小(🎥)(xiǎo )角(💃)(jiǎo )落16天之内的一(😵)系(xì )列(liè )事件，四(🚙)两拨千(qiān )斤地讨(♓)论了人生、政治(🐼)、历史等(děng )话题(👷)(tí )；通过单场景(jǐng )多(😼)幕剧的结构(🏡)让人(🐌)(rén )感受到老(🔃)人们(🐶)的孤(gū )独，以(🤥)及疾(💥)病带来(lái )的苦涩(🔇)，同时映射(shè )出黎(🥫)巴嫩暴力事件(jià(🍽)n )肆虐的现状(zhuàng )。以(🏝)小(xiǎo )见大，令人(ré(🚁)n )回味(🌋)。

西部荒野，住着麦(🍫)(mài )克林夫妇(😊)——(🏭)伊萨(sà )克（(🏦)阿什(🙂)利(lì )·祖克曼 Ashley Zukerman 饰(🚆)）和莉(lì )兹(zī )（(🥢)凯特琳·杰拉(lā(🍵) )德(dé ) Caitlin Gerard 饰）。这里条(💢)件(jiàn )艰苦，环境恶(🚩)劣，人烟稀少，野(yě )兽横(🤯)行。莫大的孤(🧦)(gū )寂(😮)令莉兹时常(🎴)警惕(♟)(tì )地环视四(🎏)周，防(🌏)备(bèi )一切可能的(🛂)危险。某天，哈普尔(🤼)夫妇(fù )——吉迪(⏭)恩（迪伦(lún )·麦(🌌)蒂 Dylan McTee 饰）和艾玛(mǎ(🚅) )（茱莉亚·古丹妮(nī(👧) )·泰勒斯 Julia Goldani Telles 饰(🥂)(shì )）(😻)搬到(dào )了麦(📻)克林(🧞)家(jiā )附近，成为他(📹)们的(de )邻(lín )居。两家(📰)人很快(kuài )就(jiù )成(💇)了好朋友，特(tè )别(🚤)(bié )是莉兹有了艾(👛)玛(mǎ )这个好姐妹，似乎(🚜)(hū )心理也正(💶)常了(⏩)(le )许多。

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

Art dealer Trevor and his best friend Dante, an Italian/American fashion photographer, holiday in Capri where they both fall for Antonia, a local beauty. One of them marries her. Back in London Antonia is last seen in Regent's Park walking her Jack Russell terrier. The remains of a female body are recovered from Regent's Canal, and both her husband and his best friend are suspects in what increasingly appears to be a murder. This fast-moving story travels backwards in time. Exploration of the mystery of Antonia's fate follows twists and turns as hair-raising as the roads on the mountainous isle of Capri. The audience is ushered to the astonishing ending, proving along the way that the deepest mystery of all is that of the soul torn between desire and loyalty.

Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.